| URGE OVERKILL | |||
| The
Chicago-based Urge Overkill have somehow managed to mock the alternative
music scene, while at the same time embracing it. Known for their rock star
excesses (they've been spotted driving around Chicago in a convertible,
flamboyantly sipping martinis), the band has built a career based on the
credo: "Image is everything." Core members Nash Kato (Nathan Katruud) and Eddie "King" Roeser, two kids from the Chicago suburbs, formed Urge Overkill in 1985. With Jack Watt on drums, they released their first EP, Strange, I..., the following year. Kato's roommate and alternative music mentor, Steve Albini, produced their debut EP and a follow-up album, Jesus Urge Superstar. But both releases got lost in the wave of noise-rock bands coming out of the Chicago underground scene in the late '80s. It wasn't until Urge's third album, The SuperSonic Storybook, (1991) that the band broke into the national arena. New drummer Blackie Onassis (nee Johnny Rowan) added a more-defined, funky rhythm to their sound and a rock star image that the others soon embraced. Favorable critical reviews and a warm-up gig on Nirvana's Nevermind tour helped bolster album sales and garner the attention of alternative rock stations. Stull, their 1992 EP release, contained two songs that further boosted their national recognition "Goodbye to Guyville" inspired the highly acclaimed debut album of fellow Chicagoan Liz Phair, Exile in Guyville. And the cover of Neil Diamond's "Girl, You'll Be a Woman Soon" became a mega-hit for the band when Quentin Tarantino included the song in a key scene from his 1995 movie, Pulp Fiction. |
In
1993 the band jilted their indie label, Touch & Go Records, to sign
with Geffen. This move alienated much of their alternative rock following
including Albini, who attacked the band publicly for their affected rock
star antics and for turning their backs on their indie roots. Their first
Geffen release, Saturation, produced the MTV hit, "Sister Havana,"
but failed to create the sales Geffen was expecting. |
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